Struggle At The Snuggle Factory – Commie-LoveSongs From The Machinik Unconscious [2012]
Label: | Demian Label & Distro! – DLD012 |
---|---|
Format: | 6 x File, FLAC, Album |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | Minimal, Synth-pop, Industrial, Darkwave |
Tracklist
1 | Towards A Collective Melancholia | |
2 | Discourse On Human Dignity Part 1 [Mirandola, 1486] | |
3 | No Accumulation, Acquisition, Competition, Possession! | |
4 | Motherad [Orig. By The Cassandra Complex, 1986] | |
5 | A Pagan-Folk Faerie-Tale | |
6 | 8 Principles From The Machinik Unconscious |
Credits
- Producer – Demian Rufus
- Synth – Demian Rufus
- Vocals – Demian Rufus
Notes
STRUGGLE AT THE SNUGGLE FACTORY: "Commie-LoveSongs From The Machinik Unconscious" [2012] DLD012
Sixth album from this solo project of Portland Oregon's Demian Rufus. To the usual mix of analog synth, keyboard, drums, and vo-kills, are added some distortion pedal and rhythm synthesizer, so the satsf sound has mutated a bit in its direction. There are no actual commie- lovesongs on the album. A blackwave ambient setting for two chapters adapted from Uli Lommel's film "Son of Sam" in the form "Towards a Collective Melancholia". Also a slightly military autonomist-marxist-electronic setting, backgrounding some Yukio Mishima recording documents super-imposed over which Demian Rufus sings out of a recent uprising text by Franco "Bifo" Berardi. Also is an autonomist-marxist-blackwave ambient adaptation of a post-structural recombinative solidarity text from 1482 by Mirandolla which was also cited in a recent Berardi text. There is a cover of "Motherad" from The Cassandra Complex's first album in 1986, [Grenade]. And a slightly coldwave/minimal synth adaptation of the "8 principles" found within the recent translation of Felix Guattari's important 1979 post-structuralist text on schizoanalysis, "The Machinic Unconscious". So the intense yet indeterminately compiled conceptual template [i.e. the original autonomist-marxist-lovesongs , the text and film adaptations, the cover-song format, all merging through the broader, active, and actual close reading process and method of intellectual texts] is elaborated once again as Demian Rufus' own form of autonomia, solidarity, compositionism…
credits
recorded by Demian Rufus in Portland Oregon in 2012
post-mixing and mastering by Rob Oberdorfer, 2012
Sixth album from this solo project of Portland Oregon's Demian Rufus. To the usual mix of analog synth, keyboard, drums, and vo-kills, are added some distortion pedal and rhythm synthesizer, so the satsf sound has mutated a bit in its direction. There are no actual commie- lovesongs on the album. A blackwave ambient setting for two chapters adapted from Uli Lommel's film "Son of Sam" in the form "Towards a Collective Melancholia". Also a slightly military autonomist-marxist-electronic setting, backgrounding some Yukio Mishima recording documents super-imposed over which Demian Rufus sings out of a recent uprising text by Franco "Bifo" Berardi. Also is an autonomist-marxist-blackwave ambient adaptation of a post-structural recombinative solidarity text from 1482 by Mirandolla which was also cited in a recent Berardi text. There is a cover of "Motherad" from The Cassandra Complex's first album in 1986, [Grenade]. And a slightly coldwave/minimal synth adaptation of the "8 principles" found within the recent translation of Felix Guattari's important 1979 post-structuralist text on schizoanalysis, "The Machinic Unconscious". So the intense yet indeterminately compiled conceptual template [i.e. the original autonomist-marxist-lovesongs , the text and film adaptations, the cover-song format, all merging through the broader, active, and actual close reading process and method of intellectual texts] is elaborated once again as Demian Rufus' own form of autonomia, solidarity, compositionism…
credits
recorded by Demian Rufus in Portland Oregon in 2012
post-mixing and mastering by Rob Oberdorfer, 2012
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