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Justin Timberlake – The 20/20 Experience

Justin Timberlake - The 20/20 Experience album cover

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Label:RCA – 88765 47851 2, Sony Music – 88765 47851 2
Format:
CD, Album, Deluxe Edition
Country:Europe
Released:
Genre:Hip Hop, Funk / Soul, Pop
Style:Contemporary R&B

Tracklist

1Pusher Love Girl
Recorded By [Strings & Horns] – Reggie Dozier*
8:02
2Suit & Tie
Featuring – Jay-Z, Timbaland
Mixed By [Assisted By] – Matt Weber
5:26
3Don't Hold The Wall
Featuring – Timbaland
7:10
4Strawberry Bubblegum
Featuring – Timbaland
7:59
5Tunnel Vision
Featuring – Timbaland
6:46
6Spaceship Coupe7:17
7That Girl
Performer [Sample From "Self Destruct"] – King Sporty
4:47
8Let The Groove Get In7:11
9Mirrors8:05
10Blue Ocean Floor
Soloist, Violin – Marc Cargill*
7:22
11Dress On
Featuring – Timbaland
4:39
12Body Count
Featuring – Timbaland
4:42
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Credits

Notes

Issued in a jewel case with clear tray and a 20-page booklet. Gold letters printed on the booklet's front.

The sticker on the front of the jewel case reads:
'Deluxe Edition
The highly anticipated new album from Justin Timberlake
Includes the record breaking single Suit & Tie + Mirrors plus 2 bonus tracks!
88765478512'

Track 1
Published by Tennman Tunes (ASCAP) (admin by Universal Music- Z - Tunes), Virginia Beach Music (ASCAP) (adm. by WB Music Corp.), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP)
Recorded and mixed at Larrabee Studios, North Hollywood, CA
Strings & horns recorded at EastWest Studios, Los Angeles, CA

Track 2
Tennman Tunes (ASCAP) (admin by Universal Music- Z - Tunes), VB Rising/Ole (ASCAP), Carter Boys Music (admin by Warner-Chappell Music, Inc.) (ASCAP), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP), Warner-Chappell Music, Inc. o/b/o itself, Dynatone Publishing Company and Unichappell Music, Inc. (BMI)
Engineered at Jungle City Studios, NYC
Mixed at Larrabee Studios, North Hollywood, CA
Contains a portion of the composition, "Sho' Nuff" written by Terrance Stubbs, Johnny Wilson and Charles Still, published by Warner/Chappell Music Inc. o/b/o itself, Dynatone Publishing Company and Unichappell Music, Inc. (BMI)
JAY Z appears courtesy of Roc Nation
Timbaland appears courtesy of Interscope Records

Tracks 3 to 5
Tennman Tunes (ASCAP) (admin by Universal Music- Z - Tunes), Virginia Beach Music (ASCAP) (adm. by WB Music Corp.), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP)
Recorded and mixed at Larrabee Studios, North Hollywood, CA
Timbaland appears courtesy of Interscope Records

Track 6
Tennman Tunes (ASCAP) (admin by Universal Music- Z - Tunes), Virginia Beach Music (ASCAP) (adm. by WB Music Corp.), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP)
Recorded and mixed at Larrabee Studios, North Hollywood, CA
Strings & horns recorded at EastWest Studios, Los Angeles, CA

Track 7
Tennman Tunes (ASCAP) (admin by Universal Music- Z - Tunes), Virginia Beach Music (ASCAP) (adm. by WB Music Corp.), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP), Calderwood Inc. o/b/o itself and Haka Taka Music (BMI), used courtesy of Sanctuary Records, a division of Universal Music Group
Recorded and mixed at Larrabee Studios, North Hollywood, CA
Contains a sample from "Self Destruct" written by Noel Williams, performed by King Sporty, published by Calderwood Inc. o/b/o itself and Haka Taka Music (BMI), used courtesy of Sanctuary Records, a division of Universal Music Group

Track 8
Tennman Tunes (ASCAP) (admin by Universal Music- Z - Tunes), Virginia Beach Music (ASCAP) (adm. by WB Music Corp.), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP).
Recorded and mixed at Larrabee Studios, North Hollywood, CA
Contains a sample from the recording "Alhamdulillaahi" from the release Explorer Series:Africa-Burkina Faso: Rhythms of the Grasslands. Produced under license from Nonesuch Records, Inc. by arrangement with Rhino Entertainment Company, a Warner Music Group company

Track 9
Tennman Tunes (ASCAP) (admin by Universal Music- Z - Tunes), Virginia Beach Music (ASCAP) (adm. by WB Music Corp.), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP)
Recorded and mixed at Larrabee Studios, North Hollywood, CA
Strings recorded at EastWest Studios, Los Angeles, CA

Track 10
Tennman Tunes (ASCAP) (admin by Universal Music- Z - Tunes), Virginia Beach Music (ASCAP) (adm. by WB Music Corp.), Jerome Harmon Publishing/Warner-Chappell Music, Inc. (BMI), James Fauntleroy Music/Almo Music (ASCAP)
Recorded and mixed at Larrabee Studios, North Hollywood, CA

Tracks 11, 12
Tennman Tunes (ASCAP) (admin by Universal Music- Z - Tunes), Pharoah Child Music / EMI April Music (ASCAP), James Fauntleroy Music/Almo Music (ASCAP)
Recorded and mixed at Larrabee Studios, North Hollywood, CA
Timbaland appears courtesy of Interscope Records

Album mastering @ Mastering Palace

℗&© 2013 RCA Records, a division of Sony Music Entertainment. Distributed by Sony Music Entertainment.
Dystrybucja w Polsce: Sony Music Entertainment Poland Sp. z o.o., ul. Chóralna 14, 02-879 Warszawa.
Made in the EU.

Barcode and Other Identifiers

  • Barcode (Scanned): 887654785121
  • Barcode (Text): 8 87654 78512 1
  • Rights Society: BIEM/GEMA
  • Label Code: LC 00316
  • Matrix / Runout: [Sony Music logo] 55417445/88765478512 21
  • Mastering SID Code: IFPI LP 73
  • Mould SID Code (Variant 1): IFPI 0776
  • Mould SID Code (Variant 2): IFPI 0768
  • Mould SID Code (Variant 3): IFPI 0765

Other Versions (5 of 37)

View All
Title (Format)LabelCat#CountryYear
The 20/20 Experience (12×File, AAC, Album, Deluxe Edition, 256 kbps)RCAG010002932471AWorldwide2013
Recently Edited
The 20/20 Experience (2×LP, Album)RCA887654785015Europe2013
Recently Edited
The 20/20 Experience (2×LP, Album)RCA88765-47850-1US2013
Recently Edited
The 20/20 Experience (CD, Album)RCA88765 47850 2Europe2013
Recently Edited
The 20/20 Experience (CD, Album)RCA88765-47851-2Canada2013

Recommendations

Reviews

  • Bourbonman's avatar
    Bourbonman
    Timberlake has an ability to separate himself from the other rubbish out there in commercial markets. And he seems to step inside the Studio when he feels the time presents itself. And i have to face it, the boy has talent when he does things right.
    Now the album 20-20 experience was a mixed bag, some tracks was very soul-inspired and some more modern RnB faced . But to live and sell music to the commercial mass market you have to inject it with sounds that are IN at the moment. I don´t believe that you need to because it has proven to work without making it appealing to the youngsters (Alicia Keys, Joss Stone, Duffy). But i have been totally hooked on Suit & Tie. I think the backbone of the track is fabulous. Just splendid beautiful soul bouncer is easily irresistible. There is however two problems with it.. one is Jay-Z.
    I just don´t get the point of dragging rappers in to speak shit on your tracks, especially on a track like this.. i mean, in this case his input here is a total failure. Problem two is that i also think that the structure of this song is quite wrong. It starts in half beat before going in to it´s main rhythm, breaks down a couple times more then done. Luckily some bedroom producers out there has re-arranged the track and thrown out Jay-Z´s part. Blissful.
    I think Timberlake should narrow down his workspace and go more in a more self-responsible directed approach. I know the guy has talent, He knows how to express it, but let´s outside forces smear it. He should really close his working circle when doing music.
    • SnoringCore's avatar
      SnoringCore
      I ever disliked RnB, Pop and shit like that, but I saw a quick review on it at TV and a preview of the song "Don't Hold The Wall", and I liked it. So I decided to listen to the full album :)

      I hate pretty much all of the songs, but "Don't Hold The Wall", "Blue Ocean Floor", "Dress On" and maybe even "Tunnel Vision".

      But I can tell that I don't regret to listen to "Strawberry Bubblegum", "Let The Groove Get In" (if it wasn't so repetitive)

      The only thing that really piss me off is the lyrics that don't touch me at all. But I guess pop music isn't made to touch deep emotion or people's value...

      I also would like to underline the fact that some songs (such as "Spaceship Coupe") are dubstep songs, but not "SKRIllEX copying that pop peoples call dubstep" kind of music. So it's a good thing.

      Finally, it's cool that he did something different of "what is popular"(just doing a song more than three minutes distabilise them...). That's in those cases that we know if an artist like to make music or like to make money out of music and don't relly give a damn about it. We can hear (even if, like me, we don't like this kind of music) that he like it.

      I also heard that it will maybe have a secont volume ?? I hope it will sound like this too !

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