Struggle At The Snuggle Factory – Nietzscheo-Kainian Songs For Fetishismo-Industrial Snugglies

Label:	Demian Label & Distro! – DLD001
Format:	CD, Album
Country:	US
Released:	2004
Genre:	Electronic
Style:	Industrial, Synth-pop, Experimental

Tracklist

1		The Hammer Speaks Text By – Friedrich Nietzsche
2		The Blame Flame [Draintrain]
3		Eagle And Serpent Text By – Demian Rufus, Gilles Deleuze
4		Telephone Diary Talker [Robinson]
5		Hospital Bruiser [Robinson]
6		Marlboro Boy [Kranky Kub]
7		From Academia To Factory To Chaos To Oblivion [Live At CalArts, 2003]

Credits

Composed By – Demian Rufus (tracks: all)
Design – Demian Rufus (tracks: all)
Electronics – Demian Rufus (tracks: all)
Guitar, Synth – Lee Weisert (tracks: 7)
Lead Vocals – Demian Rufus (tracks: all)
Lyrics By – Demian Rufus (tracks: tracks 2,3,6,7)
Producer – Demian Rufus (tracks: all)
Recorded By – Demian Rufus (tracks: all)
Synthesizer – Demian Rufus (tracks: all)

Notes

Recorded in North Hollywood, 2004.
and at California Institute Of The Arts for a bachelor fine arts composition concert, 2003 [track 7]
Mastered, Re-Issued and Re-Released in Portland, Oregon, 2011.

Reviews

Demian_Label_Distro Dec 3, 2011
DLD001: struggle at the snuggle factory: “Nietzscheo-Kainian Songs For Fetishismo-Industrial Snugglies”

The first debut release created in 2004 re-issued as a CD with a new set list in a red dvd case with 8 color inserts and with extra 5X7 postcard available from Demian Label and Distro! for $15.00 usd shipped from Portland, Oregon, USA.

If the conceptual assemblage of the following makes you become hard or curious then by all means order this classic re-issued stylish release: hearing Demian Rufus sing sweetly, darkly, subversively to stripped-down yet layered, arranged analog synthesizer and soft drums, original lyrics by Demian Rufus pastiched with texts by Nietzsche, Gilles Deleuze, Antonio Negri, two “covers” of songs originally by Teenbeat’s Mark Robinson, a post-produced text-reproduction of a discursive online chat with a mysterious, simulated, performative, perverted Marlboro fetishist, and the very drifting yet commie-intellectual, avant-garde debut performance live at calarts in 2003, replete with Demian’s “image-rewriting” artwork inserts of each song.