Julian Dashper – Leaving For Heathrow
| Label: | Circle Records (4) – none |
|---|---|
| Format: | Lathe Cut, 7", Single, Limited Edition |
| Country: | New Zealand |
| Released: | |
| Genre: | Electronic, Rock |
| Style: | Avantgarde, Experimental |
Tracklist
| A | Leaving For Heathrow (Part 1) | |
| B | Leaving For Heathrow (Part 2) |
Companies, etc.
- Made By – Peter King Lathe Cut Records
Credits
- Acoustic Guitar – Richard Blind Melon Flynn
- Lathe Cut By – Peter King
- Synthesizer [Yamaha] – Stella Mitchinson
- Synthesizer [Yamaha], Concept By – Julian Dashper
Notes
In letter press cover with 2 inserts. Edition of 30
45 RPM
Recorded in London on 11 May 1997
CIRCLE RECORDS
PO BOX 1029 POTTS POINT 2011 SYDNEY AUSTRALIA
PO BOX 78-010 GREY LYNN AUCKLAND 2 NEW ZEALAND
Richard Blind Melon Flynn played an Ibanez Artist small body semi-acoustic guitar through a vintage Capri 15 watt valve combo. Julian
Dashper and Stella Mitchinson both played a Yamaha PSR-77 advanced wave memory synthesiser keyboard. The recording was mastered on a Sony TCD-10 Pro Dat MK1 at 48khz sample rate with zero emphasis. The microphone was a Schoeps CMC-5 pre-amp with an MK4 cardioid capsule through a Sqn series IV mixer, while cable was Star Quad throughout.
This recording was cut in a limited edition of 30 by King Records Worldwide, Geraldine, New Zealand and released on the occasion of its exhibition by Julian Dashper, November 1997, at rm3, 438 Queen Street (above Real Groovy Records) Auckland.
Drawing by Stella Mitchinson 1997.
The record cover was printed letterpress from photopolymer plates and metal type on a handfed art platen by John Denny at Puriri Press,
Auckland, New Zealand.
45 RPM
Recorded in London on 11 May 1997
CIRCLE RECORDS
PO BOX 1029 POTTS POINT 2011 SYDNEY AUSTRALIA
PO BOX 78-010 GREY LYNN AUCKLAND 2 NEW ZEALAND
Richard Blind Melon Flynn played an Ibanez Artist small body semi-acoustic guitar through a vintage Capri 15 watt valve combo. Julian
Dashper and Stella Mitchinson both played a Yamaha PSR-77 advanced wave memory synthesiser keyboard. The recording was mastered on a Sony TCD-10 Pro Dat MK1 at 48khz sample rate with zero emphasis. The microphone was a Schoeps CMC-5 pre-amp with an MK4 cardioid capsule through a Sqn series IV mixer, while cable was Star Quad throughout.
This recording was cut in a limited edition of 30 by King Records Worldwide, Geraldine, New Zealand and released on the occasion of its exhibition by Julian Dashper, November 1997, at rm3, 438 Queen Street (above Real Groovy Records) Auckland.
Drawing by Stella Mitchinson 1997.
The record cover was printed letterpress from photopolymer plates and metal type on a handfed art platen by John Denny at Puriri Press,
Auckland, New Zealand.
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