Crotch Photograph – The Hundred Headless Woman
Label: | Not On Label (Crotch Photograph Self-released) – none |
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Format: | 3 x File, FLAC, EP |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | Noise, Harsh Noise Wall |
Tracklist
1 | The First Touches Of Grace And The Unresolved Games Are Being Prepared Here | 8:18 | |
2 | Here Is The Thirst That Resembles Me | 11:48 | |
3 | Perturbation. Elevation. Diminution. | 9:26 |
Notes
A surreal quest for multiple identities and a desire to taste the unknowable through cut-up and collage. Her various parts constitute the whole, her body rearranges itself into new forms in my dreams. Conceal the seams and integrate the segments. A woman with 100 heads and also no head at all, she is a mythic figure that bears no single face and is constantly changing. Which identity of mine best suits her fancy?
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"The Hundred Headless Woman is (Max) Ernst’s first collage novel. It features a loosely narrative sequence of uncanny Surrealist collages, made by cutting up and reassembling nineteenth-century illustrations, accompanied by Ernst’s equally strange captions. Ernst’s French title, La Femme 100 têtes, is a double entendre; when read aloud it can be understood as either “the hundred-headed woman” or “the headless woman.”"
-Gallery label from Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018, MoMA, New York.
All sounds by Furtograffer.
Recorded in Las Vegas, May-June, 2022.
Equipment used includes Hadron Collider noise synth, contact microphones, effects pedals, and cassette tape samples.
********************************************************************************
"The Hundred Headless Woman is (Max) Ernst’s first collage novel. It features a loosely narrative sequence of uncanny Surrealist collages, made by cutting up and reassembling nineteenth-century illustrations, accompanied by Ernst’s equally strange captions. Ernst’s French title, La Femme 100 têtes, is a double entendre; when read aloud it can be understood as either “the hundred-headed woman” or “the headless woman.”"
-Gallery label from Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018, MoMA, New York.
All sounds by Furtograffer.
Recorded in Las Vegas, May-June, 2022.
Equipment used includes Hadron Collider noise synth, contact microphones, effects pedals, and cassette tape samples.
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