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XdugefBosslady

Label:Canned Beef Records – CBRCD013
Format:
Country:US
Released:
Genre:Electronic, Non-Music
Style:Rhythmic Noise, Noise, Spoken Word

Tracklist

1Double D's2:58
2Tens Times X2:53
3Malfunction0:54
4Buttplug2:19
5Quadruple D's2:35
6Pervert3:18
7Scream4:43
8Bats In The Anal Cave1:23
9XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX6:26
10Bosslady Speaks, You Listen6:02
11Enterlube1:02
12Yo I'm A Sex Freak0:57
13Subs For Boobzilla3:01
14Dirty Filthy Kunt Pig2:35
15Sex Slave2:23
16Synth Coke2:02
17Stainless2:25
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Notes

Package includes two black stamped rubber gloves, black insert, black CDr, in a jewel case wrapped in black self sticking pleasure tape, and titled with vinyl letters.

"Warning! This Disc Contains Extra Long Frequencies".

Other Versions (2)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Bosslady (17×File, AAC, 256 kbps)Canned Beef RecordsnoneUS2008
Bosslady (17×File, MP3, VBR)Canned Beef RecordsnoneUS2009

Reviews

  • xdugef's avatar
    xdugef
    Edited 10 years ago
    This Cd arrives in a jewel case which is wrapped in "re-sealable sextape", the artwork is in part cut ups from female domination magazines and included with the cd is a single black latex glove. Xdugef is a noise maker from Los Angeles whose work is produced from found sources on the internet, from modified electronic toys and self made devices. There are 17 fairly short tracks, and on one we do hear the boss lady speak - but as elsewhere the whole work is a mix of pulses and beats, glitches and feedback. This has to be one of the most significant pieces I've yet reviewed. If noise contradicts itself by obliterating itself - and here we have that - and the actuality of the fucking up not only of sound but the mechanisms for making sound - which though is doubly inscribed by the whole iconography and ontology of female domination. A reversal of traditional roles yet one which is generally opposed by feminists - an interesting aporia which is the sexual doppelganger of the noise genre. It was Merzbow who famously created the problematic of noise paralleled by the exploitation of female bondage which was "carried" off by the excuse? of being part of an oriental culture- and so art! - the feminist critic becomes racist or tolerates female exploitation, imposes colonial values or allows the pornographic- the music isn't music but noise - yet we are in a double bind as it clearly is just that. Our value judgments flip backwards and forwards like computer logic gates, western logic and the rule of the excluded middle is broken - do we obtain what used to be called freedom? Do I enjoy the kitsch of noise/glitches - fishnets and arse as an intellectual comment - or as is - or both? Perfect. (Jliat) -Reposted with permission

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    • Want:7
    • Avg Rating:4.2 / 5
    • Ratings:5

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